The Back Row’s Film Selection

A list of films which I recommend to all readers. I hope I can help, in my own unwelcome way, those wishing to find something obscure and outre for an afternoon of streaming, or for a browse through DVD titles on sale. Check out these works from what I consider my own private (and ever growing) canon of cinema, let me know what you think of each, and, most importantly, let me know what I’ve left off and should add right away. The list may also be helpful to readers wishing to find some web of favourites to give clues to my tastes and crazy opinions on my blog.

12 Years a Slave (Steve McQueen, 2013)




After Hours (Martin Scorsese, 1985)




All About Eve (Joseph L. Mankiewicz, 1950)




American Sniper (Clint Eastwood, 2015)




Amélie (Jean-Pierre Jeunet, 2001)




Amistad (Steven Spielberg, 1997)




Annie Hall (Woody Allen, 1977)




The Apartment (Billy Wilder, 1960)




The Aviator (Martin Scorsese, 2004)




Batman Returns (Tim Burton, 1992)




Behind the Candelabra (Stephen Soderbergh, 2013)




Bernie (Richard Linklater, 2012)




A Bigger Splash (Luca Gaudagnino, 2016)




The Birth of a Nation (D.W. Griffith, 1915)




Black Swan (Darren Aronofsky, 2010)




The Break-Up (Peyton Reed, 2006)




Bridesmaids (Paul Feig, 2011)




Bridge of Spies (Steven Spielberg, 2015)




Bright Star (Jane Campion, 2009)




Bringing Up Baby (Howard Hawks, 1938)




By the Sea (Angelina Jolie, 2015)




Carol (Todd Haynes, 2015)




Casablanca (Michael Curtiz, 1942)




Casino (Martin Scorsese, 1995)




Changeling (Clint Eastwood, 2008)




The Circus (Charlie Chaplin, 1928)




Citizen Kane (Orson Welles, 1941)




Cleopatra (Joseph L. Mankiewicz, 1963)




Contagion (Steven Soderbergh, 2011)




A Countess from Hong Kong (Charlie Chaplin, 1967)




Creed (Ryan Coogler, 2015)




The Curious Case of Benjamin Button (David Fincher, 2008)




Deconstructing Harry (Woody Allen, 1997)




The Dreamers (Bernardo Bertolucci, 2003)




Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)




Everybody Wants Some!! (Richard Linklater, 2016)




Fantastic Mr Fox (Wes Anderson, 2009)




Flags of Our Fathers (Clint Eastwood, 2006)




Gentlemen Prefer Blondes (Howard Hawks, 1953)




Get Him to the Greek (Nicholas Stoller, 2010)




Get Out (Jordan Peele, 2017)




The Godfather (Francis Ford Coppola, 1972)




The Gold Rush (Charlie Chaplin, 1925)




Gone Girl (David Fincher, 2014)




GoodFellas (Martin Scorsese, 1990)




Gosford Park (Robert Altman, 2001)




Gran Torino (Clint Eastwood, 2008)




The Grand Budapest Hotel (Wes Anderson, 2014)




Guys and Dolls (Joseph L. Mankiewicz, 1955)




Hail, Caesar! (Ethan Coen, Joel Coen, 2016)




Hannah and Her Sisters (Woody Allen, 1986)




Irrational Man (Woody Allen, 2015)




Joy (David O. Russell, 2015)




The Kid (Charlie Chaplin, 1921)




Kill Bill: Volume 1 (Quentin Tarantino, 2003)




Kill Bill: Volume 2 (Quentin Tarantino, 2004)




Knight of Cups (Terrence Malick, 2016)




Knocked Up (Judd Apatow, 2007)




The Last Temptation of Christ (Martin Scorsese, 1988)




Lawrence of Arabia (David Lean, 1962)




Letters from Iwo Jima (Clint Eastwood, 2006)




The Life Aquatic with Steve Zissou (Wes Anderson, 2004)




Little Sister (Zack Clark, 2016)




Lost in Translation (Sofia Coppola, 2003)




Love & Friendship (Whit Stillman, 2016)




Macbeth (Orson Welles, 1948)




Macbeth (Roman Polanski, 1971)




Magic in the Moonlight (Woody Allen, 2014)




Manchester by the Sea (Kenneth Lonergan, 2016)




Manhattan (Woody Allen, 1979)




Marie Antoinette (Sofia Coppola, 2006)




Metropolitan (Whit Stillman, 1990)




Midnight in Paris (Woody Allen, 2011)




Moonlight (Barry Jenkins, 2016)




Moonrise Kingdom (Wes Anderson, 2012)




Mother (Albert Brooks, 1996)




Mr Turner (Mike Leigh, 2014)




My Own Private Idaho (Gus van Sant, 1991)




Necktie Youth (Sibs Shongwe-La Mer, 2015)




New York, New York (Martin Scorsese, 1977)




Noah (Darren Aronofsky, 2014)




Nosferatu (F.W. Murnau, 1922)




Ocean’s Eleven (Steven Soderbergh, 2001)




Ocean’s Twelve (Steven Soderbergh, 2004)




A Passage to India (David Lean, 1984)




The Perfect Catch (Bobby Farrelly, Peter Farrelly, 2005)




Psycho (Alfred Hitchcock, 1960)




Pulp Fiction (Quentin Tarantino, 1994)




Radio Days (Woody Allen, 1987)




Raging Bull (Martin Scorsese, 1980)




Rebel Without a Cause (Nicholas Ray, 1955)




River of No Return (Otto Preminger, 1954)




The Royal Tenenbaums (Wes Anderson, 2001)




Rushmore (Wes Anderson, 1998)




Saving Private Ryan (Steven Spielberg, 1998)




Scoop (Woody Allen, 2006)




Scott Pilgrim vs the World (Edgar Wright, 2010)




Selma (Ava duVernay, 2014)




The Seven Year Itch (Billy Wilder, 1955)




Shutter Island (Martin Scorsese, 2010)




Silence (Martin Scorsese, 2016)




Singin’ in the Rain (Stanley Donen, Gene Kelly, 1952)




The Social Network (David Fincher, 2010)




Some Like it Hot (Billy Wilder, 1959)




Song to Song (Terrence Malick, 2017)




Spy (Paul Feig, 2015)




Sully (Clint Eastwood, 2016)




Superbad (Greg Mottola, 2007)




Tartuffe (F.W. Murnau, 1926)




This is 40 (Judd Apatow, 2012)




To Rome With Love (Woody Allen, 2012)




To the Wonder (Terrence Malick, 2013)




Trainwreck (Judd Apatow, 2015)




The Tree of Life (Terrence Malick, 2011)




Venus in Fur (Roman Polanski, 2013)




Waltz With Bashir (Ari Folman, 2008)




We Have a Pope (Nanni Moretti, 2011)




While We’re Young (Noah Baumbach, 2015)




The Wolf of Wall Street (Martin Scorsese, 2013)




You Only Live Once (Fritz Lang, 1937)




You Will Meet a Tall Dark Stranger (Woody Allen, 2010)




Zodiac (David Fincher, 2007)



2 comments:

  1. I believe my quick scroll of your photo picks indicated that you included only one non-American film, "Rust and Bone" --a good choice. You might want to broaden your viewing. One suggestion would be "Separation," the Iranian film.

    ReplyDelete
    Replies
    1. Thanks for your suggestion. There are actually a few more films here that come from other countries, like "Amelie," "Bright Star," "Mr Turner," "We Have a Pope," "Waltz With Bashir," "Venus in Fur," "A Passage to India," and "Necktie Youth" (Do movies like "Bagdad Cafe," "A Bigger Splash," "Lawrence of Arabia," and "The Dreamers" count as totally non-American, or only partly?); as well as a few films made by foreign emigres working in America, like "12 Years a Slave," "Eternal Sunshine of the Spotless Mind," "You Only Live Once," "Scott Pilgrim vs the World," and "River of No Return".

      I have already seen "A Separation," which I enjoyed somewhat, but was not enthusiastic enough about to include here. I definitely do want to broaden my viewing (I can't remember if I said as much in a recent blog post or if it's one I'm still working on), and what I'd particularly like to focus on is the European cinema of the 20th century (the great art-house classics that many directors today speak of being inspired by) and the cinema -- throughout their histories -- of Asia and Africa. I have only one film from each on my list ("Waltz With Bashir" and "Necktie Youth") and I'd very much like to expand that basis. I'd especially like to get to know African cinema, through all its facets, and take from it what I can to learn about my place in it and among its people. So far, the African directors I've checked out that I've heard great things about include Ousmane Sembene, Abderrahmane Sissako, Souleymane Cisse, Mahamat Saleh Haroun, Gadalla Gubara, Oumarou Ganda, Med Hondo, and Djibril Diop Mambety; do you have any further suggestions for me, as to what I can look out for? Also, I can't find any of their works in the usual places that I look (like takealot.com and Google Play); I'd be happy to let everyone know where they can find these works once I've found out.

      Delete

Enter your unrestrained and dissenting reactions here